Showing posts with label nervosa cringe. Show all posts
Showing posts with label nervosa cringe. Show all posts

4.9.09

my virtual wedding performance

Finally got around to uploading my (crappy quality) wedding video from
CVA performance April 10, 2009.

25.8.09

Performance: Rojo Kermes, Museo De Las Americas


Rojo Kermés - July 25, 2009

Nervosa Cringe as Mujer Arana at Museo Benefit

I attempted to coerce the guests of Museo De Las Americas to have their fortunes told by the Spider Woman. Nervosa Cringe created this manifestation of the legendary Mujer Arana.


22.5.09

EVIDENCE (i dreamt i was henry adams)

documentation:

evidence captured by nervosa cringe

10.5.09

unraveling...

many thanks to everyone who came to the show friday

12.4.09

My Virtual Wedding pics

Thanks to everyone who attended my wedding last night
my virtual wedding still, april, 2009


reverend walter, 2009

gioia9 y conchita, courtesy of steve gottshall 

M.V.W., steve gottshall, 2009

more pics on my wedding photographer's flickr page:

 courtesy of anonio ascencio...



steve gottshall, 2009

25.9.08

aboutFace


antonio, the great,  fall, 2008.






nervosa cringe, fall, 2008.

The above images are brilliant because they spell out something that smells like love.  A constant exchange of energy and support from people who like me even though I'm usually an annoying and demanding dick.

Outside of my apartment, in Lakewood Colorado of all places, theLab recognizes art that eschewed galleries.  Ironic, no?


Poetry and polaroids aligning with the pulse of the city and creation.

I think that Jung would be intrigued by Hannah Weiner's project that involved waiting to meet the only other Hannah Weiner in the phonebook.  The other HW was a psychotherapist and never showed up.  In 1972, Hannah, the poet went to Bellevue.  She turned the words she saw on people's foreheads into poetry.  



All night jazz session at the Cy Laurie Club, Great Windmill Street, 31st March 1956

The above image from the Soho Archives, currently displayed at The Photographers' Gallery, appeals to me because it documents a dynamic time and place...I've never been to London in the mid-20th... 



Nor have I visited Pakistan in 2008...  


A Pakistani woman gestures next to a burning effigy of Dutch lawmaker Geert Wilders during a protest against a recent Dutch film that portrays Islam as a ticking time bomb aimed at the West in Karachi, Pakistan, Sunday, March 30, 2008

Clearly, this image, its contained spirit that raises fists against racism and oppression, contains Benjamin's notion of the aura.